The controversial drawing, by Gerald Scarfe, published on 27th
January - Holocaust Memorial Day, has caused fierce debate.
Scarfe depicts the recently re-elected Israeli Prime Minister, Benjamin
Netanyahu, using red blood to cement a wall with people trapped within it. Published by the Sunday Times, the picture features the caption “Will cementing
peace continue?”
The central theme of the picture is the red blood that seeps out
from the bricks and drips from Netanyahu's trowel. This image has the power to
invoke anti-Semitic imagery of Blood Libel, a grossly false accusation that
Jews murder children, to use their blood in religious rituals. Yet the theme of
blood is a frequent feature of Scarfe’s work. He seems to have gained a ‘thing’ for blood. In another Sunday Times picture, published on 26th
February 2012, Syria's President Assad is seen to be guzzling a cup full of
blood that is labelled ‘Children's Blood’, further supporting the notion that this
picture of Netanyahu is not just an exception. Scarfe has a long history of
provocative cartoons, often coming from a more liberal perspective.
Scarfe’s depiction of the Israeli elections stimulated immediate
criticism, one being from the Board of Deputies of British Jews, an elected
group representing Jewish people in the UK whose chief executive, Jon Benjamin,
stated that the picture was reminiscent of blood libel imagery. Nevertheless, Rachel
Lasserson, editor of the Jewish Quarterly, noted that people must be able to distinguish between discussions of settlements
and the West Bank and general anti-Semitism. Anshel Pfeffer, Haaretz, writing
for an article in the Guardian,
argues that Scarfe seems to have been careful not to include any small children -
one is arguably an adolescent - in order to not have any libel imagery. Pfeffer
further argues that attacking Scarfe and his cartoon only cheapens a noble cause, as it is not anti-Semitic.
In addition, Mark Gardner, of the Community Security Trust, writing for the Guardian, notes that, irrespective of an
individual’s nationality or religion, this is just the way Scarfe draws.
The Sunday Times
initially defended the picture, saying that was a typical cartoon by Scarfe,
which was "aimed squarely at Mr Netanyahu and his policies, not at Israel, let alone at Jewish people". However the next day, Rupert
Murdoch distanced himself and the paper from Scarfe,
by tweeting on his personal Twitter account that “Scarfe has never reflected
the opinions of the Sunday Times”.
Additionally, Daniel Taub, the current Israeli Ambassador to the UK, condemned
the paper. He argued that the idea of Israel’s security barrier being concocted
from Palestinian bodies and blood was ‘baseless’.
On Tuesday, the Sunday Times
met with various representatives of the UK Jewish community. One of the main points presented by the Jewish
communities is that Jews (and others) around the country reacted with disgust
to the image, but even more so to Scarfe’s use of blood and that it was
published, by a leading `British newspaper, on Holocaust Memorial
Day. Martin Ivens, current acting editor to the paper, condemned Scarfe for crossing the line, with the illustration
published in the Sunday Times on
Holocaust Memorial Day, despite the illustrator being renowned for his "consistently
brutal and bloody" work. Ivens further noted that “insulting the memory of the Shoah or invoking the Blood Libel’ was
the last thing the newspaper had wanted to do.
Scarfe also issued his own statement the same day, stating that the Sunday Times had for the past forty-six
years given him freedom to criticise world leaders and that the cartoon and
criticism was directed at Netanyahu, and “not of the Jewish people”. He also noted that
he was "stupidly completely unaware" it was being
published on Holocaust Memorial Day and “regrets the timing” of its publication.
In sum, upon reacting
to this image, we should be careful in distinguishing whether it some sort of political
comment and a religious insult. Granted the date of its publication on
Holocaust Memorial Day is insensitive, yet I do not believe it is an assault on
the Jewish religion by any means. The image is an unpleasant one, but confusing
it with something else can be problematic and as Pfeffer in the Guardian writes, it only “cheapens
a noble cause”.
The cartoon calls on a lot of imagery that is sensitive to a number
of parties. It invites criticism and debate, which was Scarfe’s intention - to
have some sort of shock factor. However, although there are similarities to the
anti-Semitic notion of Blood Libel, it is not one and the same. The caricature includes
no children (there is in fact one adolescent), and this may be deliberately
done by Scarfe to keep away from any association with the blood libel. Regardless,
it is clear from the depiction that this is a jab at Netanyahu's government, as
well as his policies. This is not directed at the Israeli people, nor the Nation
of Israel, as there is absolutely nothing in the cartoon which identifies its
subject as someone of Jewish origin.





